Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a sensible freshening on a classic tale, but because it allows for therefore much more outside of the Austen-issued drama.

“What’s the difference between a Black man plus a n****r?” A landmark noir that hinges on Black identity and also the so-called war on prescription drugs, Bill Duke’s “Deep Cover” wrestles with that provocative concern to bloody ends. It follows an undercover DEA agent, Russell Stevens Jr. (Laurence Fishburne at his complete hottest), as he works to atone for the sins of his father by investigating the cocaine trade in Los Angeles inside a bid to bring Latin American kingpins to court.

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Penned with an intoxicating candor for sorrow and humor, from The instant it begins to its heart-rending resolution, “All About My Mother” is the movie that cemented its director being an international pressure, and it remains one of several most affecting things he’s ever made. —CA

The timelessness of “Central Station,” a film that betrays Not one of the mawkishness that elevated so much of your ’90s middlebrow feel-good fare, can be owed to how deftly the script earns the bond that forms between its mismatched characters, and how lovingly it tends for the vulnerabilities they expose in each other. The benefit with which Dora rests her head on Josué’s lap in the poignant scene indicates that whatever twist of fate brought this pair together under such trying circumstances was looking out for them both.

Montenegro became the first — and still only — Brazilian actor for being nacho vidal nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching nonetheless never saccharine, Salles’ breakthrough ends with a fitting testament to The theory that some memories never fade, even as our indifferent world continues to spin forward. —CA

From the films of David Fincher, everybody needs a foil. His movies typically boil down for the elastic push-and-pull between diametrically opposed characters desi 49 who reveal themselves through the tension of whatever ties them together.

Established in Calvinist small town atop the Scottish Highlands, it is the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who may have sexual intercourse with other men to please her husband after a collision has left him immobile. —

No supernatural being or predator enters a single body of this visually affordable affair, however the committed turns of its stars as they descend into insanity, along with the piercing sounds of horrific events that we’re pressured to assume sexy video film in lieu of seeing them for ourselves, are still more than sufficient to instill a visceral dread.

Navigating lesbian themes was a tricky undertaking in the repressed environment in the early sixties. But this revenge drama experienced the advantage of two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, while in the leading roles, as well as three-time Best Director Oscar winner William Wyler within the helm.

And however it all feels like part of the porn movies larger tapestry. porn hup Just consider the many seminal moments: Jim Caviezel’s AWOL soldier seeking refuge with natives over a South Pacific island, Nick Nolte’s Lt. Col. trying to rise up the ranks, butting heads with a noble John Cusack, along with the company’s attempt to take Hill 210 in among the most involving scenes ever filmed.

Despite criticism for its fictionalized account of Wegener’s story as well as casting of cisgender actor Eddie Redmayne while in the title role, the film was a group-pleaser that performed well on the box office.

, Justin Timberlake beautifully negotiates the bumpy terrain from disapproval to acceptance to love.

From that rich premise, “Walking and Talking” churns into a characteristically minimal-important but razor-sharp drama about the complexity of women’s interior lives, as the writer-director brings such deep oceans of feminine specificity to her dueling heroines (and their palpable screen chemistry) that her attention can’t help but cascade down onto her male characters as well.